Tuesday, March 25, 2014

Expressive Urban Sketching Workshop - Cockatoo Island.


Last week I attended the wonderful Expressive Urban Sketching Workshop held on Cockatoo Island hosted by Liz Steel and Paul Wang. I've shared some details about my experience on the Urban Sketchers Australia Blog here if you'd like to read more.

Friday, February 28, 2014

Sydney Sketch Club at Cafe Bones

Willow, Rocket and Humphrey

On a sunny weekend morning Sydney Sketch Club met to sketch dogs at Cafe Bones in Leichhardt. Expecting to find a couple of dogs content to sit still or perhaps even asleep was ridiculous of me in hindsight.  Dogs were running, playing, sniffing, barking - but of course never sitting perfectly still for a portrait! Even those kindly held for us by their owners constantly twitched their ears and turned their heads in all directions to the activity around them. But it was loads of fun and the perfect exercise for forcing to sketch fast which is what I  need. Will definitely go again. 

Monday, February 17, 2014

Exploring The Rocks. Week 1.

Sydney Opera House. Tracing contours with expressive lines.
When thinking of The Rocks in Sydney, my mind begins wandering down it's quaint little laneways. Picturing Colonial buildings tucked away in tight spots, hosting cafes and restaurants and its fair share of the upmarket tourist shops. With my thoughts in that space, I often forget that only a few hundred metres away, across Circular Quay, sits the Sydney Opera House in all her glory.


 
So it was an unexpected, but welcome surprise that the Sydney Opera House was the on location sketch subject in our first week of Liz Steel's "Exploring The Rocks" workshop. After a dose of theory in an old Rocks prison cell (roughing it with fabulous coffee and fine French pastries), we left for a grassy park and sat in the shade of a tree, sketching away. A great benefit of a teacher who is also an architect is the added insight into the structure of a building and the tips on what to focus on. Most memorable was that the front part of the podium on which the house sits was designed partly to reflect the shape of the heads at the entrance to Sydney Harbour.

Saturday, February 8, 2014

Sydney Urban Sketchers at Town Hall

Hero Pen (bent nib), De Atramentis Archive ink with watercolour wash. 270gsm paper.


Yesterday our local Urban Sketchers group gathered at Sydney Town Hall. It's a fantastic area for interesting architecture with the surrounding buildings of the Town Hall and St Andrew's Cathedral as well as the Queen Victoria Building in the next block.


 
 
I've signed up for Paul Wang and Liz Steels' expressive sketching workshop in March, so my goal was to try to loosen up with watercolour and less line. An A4 Beta Stillman and Birn from Larry Post last year (the thick pages are great for working wet on wet, so I've been saving it for when I'm feeling more courageous) served well for this. Fate also had a hand with my other choices as my favourite Lamy pen and waterbrushes are sadly missing somewhere. However, with the most perfect of timing, Liz brought along a new Hero pen from her Penang/Singapore trip! I've tried a similar pen with a bent tip (Sailor pen) before and it gives a lovely variation in line thickness as you draw.
 
 



A strategy which worked well yesterday was to lay a first layer of wash down on one page for the watercolour only sketch, and then whilst that dried, sketched with the Hero pen in more detail on the other page. Picking up on preferred patterns and shadows from the detailed pen sketch that could then be layered back onto the watercolour sketch as the progressing layers dried.
 
Sydney Town Hall is one of Australia's finest examples of French Second Empire architecture. Designed by architect J H Willson in 1868, it is said to be inspired by Hotel de Ville in Paris. Festoons, finials and Mansard pavilions - lots to learn about this style of architecture that I have not drawn before.
 
These sketching mornings always pass so quickly. With not much time to go I found this carved angel figure at the front door of the St Andrew's Cathedral. So many, many, many more things to sketch in this area. Looking forward to returning.

Sunday, January 19, 2014

Motivated to learn with Sktchy Portraits

Mercy. Ink, Watercolour, White Gel Pen. 25 Dec 2013

I'm attempting to make 2014 the year I get comfortable with drawing people. My goal is to remove my hesitation of adding them to my urban sketches, to help bring them to life and tell more of a story. Having seen other Urban Sketchers give the Sktchy App a try, I signed up and started work.
 
 
Adrian. Pencil, Watercolour, White Gel Pen. 14 Jan 2014.
What's the process? Basically, creative people sketch from a constantly updated pool of photographic portraits provided by other Sktchy users.
 
Milly. Pencil, Watercolour, White Gel Pen. 19 Jan 2014.
On completion of the sketch, a photo of the finished piece is then attached to the original reference pic and posted to the artists stream of work as well as the main page. Not only does this create a motivating and creative platform to be part of, but it's a great learning tool to see how other people interpret and create from the initial point of inspiration.
 
Jan. Ink, Watercolour, White Gel Pen. 19 Jan 2014
There's generally a good number inspiring reference photos to be found. My preference is for more than just a face. People in action, dressed in printed/knitted fabrics, landscape or buildings in the background all make it a bit more interesting. I am not short choice (you can queue inspiring pics in your profile as you find them) and I already have enough muses to create one or two portraits a week for the next few months.
 
Weimaraner. Ink, Watercolour, White Gel Pen. 5 Jan 2014.
And what people post is not just limited to portraits of themselves. Actually, if anything I'm becoming overly attached to creating these portraits. They are taking more than the 5 mins I might be able to sketch someone if drawing on location. So the next goal will be to become more responsive and set a timer going...
 
The Sktchy App is free and can be found via here

Thursday, January 16, 2014

Urban Sketching in Newcastle.

Formerly Australian Customs Offices. 1 Bond Street. Designed by James Barnet. Built 1877
 
On Saturday 11 January, a mix of Sydney and regional urban sketchers made their way to the Newcastle train station for our first regional meet. It was a fantastic setting with waterways, beaches and many old heritage buildings to admire all around.  Wonderful to meet several sketchers who we'd previously only known through corresponding via the Australian Urban Sketchers Facebook group.
 
Former AMP Building, 55 Hunter Street. Built 1927
 
Despite hopes of creating several sketches for the day I settled on these two buildings and became absorbed in the details. So many other buildings to sketch in the area that I'm very sure a revisit to Newcastle will be on the cards. Thanks to Phil Bamford who went to the effort of ensuring people found their way easily to buildings of interest and facilities in the area. It was much appreciated!
 
 

Tuesday, December 31, 2013

Enjoying holidays in Western Australia.


We often look forward to visiting family interstate in December and this year we made our way to Margaret River, Western Australia. It's situated 3 hours drive south of Perth.  Away from the bustle of cities but close to beautiful beaches and surrounded by wonderful huge Karri Tree forests.
 
We stayed at the lovely home above known as "Ithaca". When building the home from scratch they felt it may take as long as Homer's return voyage home to Ithaca to complete (20 years!). They say it's still unfinished but in its ideal bush setting and beautiful collections of old treasures inside, in my eyes it is a stunning home.
 

On several days I chose to draw from the various items framed upon the wall or displayed around the home. Very relaxing!
 
We took a day trip to Busselton and whilst the rest of the family had lunch I attempted to sketch the Courthouse Gallery. The building was used as a Courthouse for 120 years before ceasing its service in the 1970's. The sun was burning hot, and the wind also dried the pigments on the palette so I wasn't overly happy at the time but a local watercolour artist did stop to chat whilst I drew which cheered me.
 
 
For the last evening of our stay we drove back up to Perth and stayed at the grand Esplanade Hotel in Fremantle. Fremantle is an old portside suburb that's be given a facelift and retains some fantastic buildings full of character. I hope I make it back with more time to sketch there another time. I have to give credit to my own family and in laws for tolerating my sketching at almost every opportunity on this trip! This sketch above was very rushed but in reality it was probably the speed I need to get back to after such a lazy holiday!